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Lazarillo de Tormes (Prólogo) Lyrics

This Novella was published anonymously in the 16th century because of its heretical, scandalous and overall anti-establishment content. It’s kind of the original F-the-man song.

Lazarillo details the life of…

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Yo por bien tengo que cosas tan señaladas y por ventura nunca oídas ni vistas, vengan a noticia de muchos y no se entierren en la sepultura del olvido, pues podría ser que alguno que las lea halle algo que le agrade, y a los que no

ahondaren

tanto los

deleite

. Y a este propósito dice

Plinio

que no hay libro, por malo que sea, que no tenga alguna cosa buena. Mayormente, que los gustos no son todos unos, mas lo que uno no come, otro se pierde por ello; y así vemos cosas tenidas en poco de algunos que de otros no lo son. Y esto para que ninguna cosa se debría romper ni echar a mal, si muy detestable no fuese, sino que a todos se comunicase, mayormente siendo sin perjuicio y pudiendo sacar de ella algún

fructo

; porque, si así no fuese, muy pocos escribirían para uno solo, pues no se hace sin trabajo, y quieren, ya que lo pasan, ser recompensados, no con dineros, mas con que vean y lean sus obras y, si hay de qué, se las alaben. Y a este propósito dice

Tulio

: La honra cría las artes.

¿Quién piensa que el soldado que es primero del escala tiene más

aborrescido

el vivir? No por cierto; mas el deseo de alabanza le hace ponerse al peligro; y, así, en las artes y letras es lo mesmo. Predica muy bien el presentado y es hombre que desea mucho el provecho de las ánimas; mas pregunten a su merced si le pesa cuando le dicen: «¡Oh, qué maravillosamente lo ha hecho vuestra reverencia!». Justó muy

ruinmente

el señor don Fulano, y dio el sayete de armas al

truhán

» porque le loaba de haber llevado muy buenas lanzas: ¿qué hiciera si fuera verdad?

Y todo va desta manera: que, confesando yo no ser más

sancto

que mis vecinos, desta nonada que en este grosero estilo escribo, no me pesará que hayan parte y se huelguen con ello todos los que en ella algún gusto hallaren, y vean que vive un hombre con tantas fortunas, peligros y adversidades.

Suplico a Vuestra Merced reciba el pobre servicio de mano de quien lo hiciera más rico, si su poder y deseo se conformaran. Y pues Vuestra Merced escribe se le escriba y relate el caso muy por extenso, parescióme no tomalle por el medio, sino del principio, porque se tenga entera noticia de mi persona; y también porque consideren los que heredaron nobles estados cuán poco se les debe, pues Fortuna fue con ellos parcial, y cuánto más hicieron los que, siéndoles contraria, con fuerza y maña remando, salieron a buen puerto.

Trans.

I think it is good that such remarkable things as these, which may never have been heard of or seen before, should come to the attention of many people instead of being buried away in the tomb of oblivion. Because it might turn out that someone who reads about them will like what he reads, and even people who only glance lightly through this book may be entertained.

Pliny says along these lines that there is no book--no matter how bad it is--that doesn't have something good in it. And this is all the more true since all tastes are not the same: what one man won't even touch, another will be dying to get. And so there are things that some people don't care for, while others do. The point is that nothing should be destroyed or thrown away unless it is really detestable; instead, it should be shown to everybody, especially if it won't do any harm and they might get some good out of it.

If this weren't so, there would be very few people who would write for only one reader, because writing is hardly a simple thing to do. But since writers go ahead with it, they want to be rewarded, not with money but with people seeing and reading their works, and if there is something worthwhile in them, they would like some praise. Along these lines too, Cicero says: "Honor promotes the arts."

Does anyone think that the first soldier to stand up and charge the enemy hates life? Of course not; a craving for glory is what makes him expose himself to danger. And the same is true in arts and letters. The young preacher gives a very good sermon and is really interested in the improvement of people's souls, but ask his grace if he minds when they tell him, "Oh, what an excellent sermon you gave today, Reverend!" And So-and-so was terrible in jousting today, but when some rascal praised him for the way he had handled his weapons, he gave him his armor. What would he have done if it had really been true?

And so everything goes: I confess that I'm no more saintly than my neighbors, but I would not mind it at all if those people who find some pleasure in this little trifle of mine (written in my crude style) would get wrapped up in it and be entertained by it, and if they could see that a man who has had so much bad luck and so many misfortunes and troubles does exist.

Please take this poor effort from a person who would have liked to make it richer if only his ability had been as great as his desire. And since you told me that you wanted me to write down all the details of the matter, I have decided not to start out in the middle but at the beginning. That way you will have a complete picture of me, and at the same time those people who received a large inheritance will see how little they had to do with it, since fortune favored them, and they will also see how much more those people accomplished whose luck was going against them, since they rowed hard and well and brought their ship safely into port.

از این آلبوم

کاور آهنگ Tasbih-i Misri: Nour از Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad

Tasbih-i Misri: Nour

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad
کاور آهنگ Missa quinis vocibus: Credo از Cappella Mariana, Vojtech Semerad, Krystof Harant

Missa quinis vocibus: Credo

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Naqsh Dar Bazm-e Del از Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad

Naqsh Dar Bazm-e Del

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad
کاور آهنگ Missa quinis vocibus: Kyrie از Cappella Mariana, Vojtech Semerad, Krystof Harant

Missa quinis vocibus: Kyrie

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Namaz-e Sham-e Ghariban از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad

Namaz-e Sham-e Ghariban

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad
کاور آهنگ Missa quinis vocibus: Gloria از Cappella Mariana, Vojtech Semerad, Krystof Harant

Missa quinis vocibus: Gloria

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Chashm-e Mast از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Shishtari Murad

Chashm-e Mast

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Shishtari Murad
کاور آهنگ Missa quinis vocibus: Sanctus از Cappella Mariana, Vojtech Semerad, Krystof Harant

Missa quinis vocibus: Sanctus

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Pishref-i Misri & Sama'i از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Kasebaz-i Misri

Pishref-i Misri & Sama'i

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Kasebaz-i Misri
کاور آهنگ Qui confidunt in Domino از Cappella Mariana, Vojtech Semerad, Krystof Harant

Qui confidunt in Domino

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Bu Ashk Bir Bahri Ummandir از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Seyyid Seyfullah

Bu Ashk Bir Bahri Ummandir

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Seyyid Seyfullah
کاور آهنگ Maria Kron از Cappella Mariana, Vojtech Semerad, Krystof Harant

Maria Kron

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Mezmur 2 & 4 - Psalm 4 از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Ali Ufki

Mezmur 2 & 4 - Psalm 4

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Ali Ufki
کاور آهنگ Missa quinis vocibus: Agnus Dei از Cappella Mariana, Vojtech Semerad, Krystof Harant

Missa quinis vocibus: Agnus Dei

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Dies est laetitiae - Mâhur Peşrev از Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Krystof Harant

Dies est laetitiae - Mâhur Peşrev

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad, Krystof Harant
کاور آهنگ Otce Buoha nebeského - Dar Nazar Baziye Ma از Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad

Otce Buoha nebeského - Dar Nazar Baziye Ma

Pilgrimage / Musical Journey of Kryštof Harant to Jerusalem / circa 1600 • Anonymous, Constantinople, Kiya Tabassian, Cappella Mariana, Vojtech Semerad